Suzanne Frischkorn

Place: An Index

“The places in which any significant event occurred become embedded with some of that emotion, and so to recover the memory of the places is to recover the emotion, and sometimes to revisit the places uncovers the emotion.” —Rebecca Solnit

Basement  apartment  with  plastic blue  utensil tray,

daily death threats, 91-93

 

The  Hudson River,  also   known  as The River, train

tracks, after sunset, bubble gum factory pinking the

scent  of  air,  time  long  and  deep,  a slow  current

mixed   with  hormones  and   lip  gloss,   we  drifted.

83-86

 

White   walls,  white brick, the  white hot scarcity of

Woodside  Green, a five  dollar grocery bouquet on

the  white  oak table,  white   mushroom   sprouting

from  the crevice  of white counter and sink, 93-95

 

Wood   chips,  sparrow  darting  out of the bramble,

blue swings, and pond, 78-80

 

Tulip tree, orange door, ornamental grass and buzz

of  mowers  any  given day,  we  left screens off the

windows  for a clear  view and watch pine trees die

of  an  unjust  ailment,  tramp  a  track in the field of

loosestrife, count bunnies on the lawn, 23-24.

 

Stay with me. Stay with me, 74

 

 

Place: An Index

“The places in which any significant event occurred become embedded with some of that emotion, and so to recover the memory of the places is to recover the emotion, and sometimes to revisit the places uncovers the emotion.” —Rebecca Solnit

Basement  apartment  with  plastic blue  utensil tray,

daily death threats, 91-93

 

The  Hudson River,  also   known  as The River, train

tracks, after sunset, bubble gum factory pinking the

scent  of  air,  time  long  and  deep,  a slow  current

mixed   with  hormones  and   lip  gloss,   we  drifted.

83-86

 

White   walls,  white brick, the  white hot scarcity of

Woodside  Green, a five  dollar grocery bouquet on

the  white  oak table,  white   mushroom   sprouting

from  the crevice  of white counter and sink, 93-95

 

Wood   chips,  sparrow  darting  out of the bramble,

blue swings, and pond, 78-80

 

Tulip tree, orange door, ornamental grass and buzz

of  mowers  any  given day,  we  left screens off the

windows  for a clear  view and watch pine trees die

of  an  unjust  ailment,  tramp  a  track in the field of

loosestrife, count bunnies on the lawn, 23-24.

 

Stay with me. Stay with me, 74

 

 

Suzanne Frischkorn’s most recent poetry collection is Whipsaw (Anhinga Press, 2024), winner of the 2025 CNY Book Award for Poetry, and finalist for the Eugene Paul Nassar Poetry Prize. Her honors include a 2026 Ragdale Residency Award, and fellowships from the Virginia Center for the Creative Arts, The Writer’s Center, and the Connecticut Commission on the Arts. Her poems have recently appeared in The Cincinnati Review, Denver Quarterly, North American Review, Poetry International, and Latino Poetry: The Library of America Anthology.  

 

 

 

 

 

Suzanne Frischkorn’s most recent poetry collection is Whipsaw (Anhinga Press, 2024), winner of the 2025 CNY Book Award for Poetry, and finalist for the Eugene Paul Nassar Poetry Prize. Her honors include a 2026 Ragdale Residency Award, and fellowships from the Virginia Center for the Creative Arts, The Writer’s Center, and the Connecticut Commission on the Arts. Her poems have recently appeared in The Cincinnati Review, Denver Quarterly, North American Review, Poetry International, and Latino Poetry: The Library of America Anthology.  

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