Martine Bellen
“My brain hums with scraps of poetry and madness.” –Virginia Woolf
“I want to know death and yet live to tell it.”—Elizabeth Willis
1
Nurse maids, mermaids, and convalescent old maids,
Beds made and stripped naked,
Frills and furbelows ruffling the edgy,
Rippling body harnessed to mind.
But what is this mind of which you speak?
Gemynd or memory in Old English
Or Chitta in Pali and Sanskrit,
The qualitative condition on which we float
This floating world, this rooted realm
Of evanescent flashes, dark sparks.
Imagine you’re causally connected to the islet of Virginia.
Such looks, such eyelash elongators, alligators
Surrounding this rusty pump of a plum
lady, this misused muse, this jaded Jane
Whose beach knows no apparitions, though a lighthouse!
A house of light prays in her, pays homage
To the space in her, remains of her.
Take refuge in her settled rooks; risen rooks; randy
Rocks that speak back, parlanced air. Nuanced.
Should you desert your form rooms, worm roots, and libraries?
Lay down your language on liquid’s surface as your being is dismissed?
2
Virginia’s poetry and madness slid through the river’s tapered fingers
As a sleepwalker undresses,
first her gown, then her ghost,
A surgical procedure to excise her mind’s
Illness in an amniotic solution, vapor
Voices that wouldn’t steam out of her.
3
Mind travels thousands of years on concurrent currents across ocean and bodies of mind.
It sits in the wading pool of this moment, moon leaping like silver fish as reflection on surface.
No wind raises mind’s waves though streams of thought slice into it,
No light shines on the languageless languid experience of the original one.
“Bring me your mind,” the rooks ask.
“I have searched high and low for it and could not find it. I have searched
in my bodhi tree. In its deep, extended roots, in its heart-shaped leaves
and slender twigs, in its clusters of figs. I am immersed now in it, plunging
in its slipstream, its dark locks entangled in my breath, shucked down my throat,
canopying my nostrils. The bubbles gradually burn on the bonfire haze in the lungs.
Slowly an arm that holds a lamp on the horizon raises it up to see into me, a garden
of trees, an insubstantial djinn, the slang of birdsong, filling.
4
Lips locked
As she slips
With walking stick
And water meadows
Martine Bellen is the author of ten books, most recently, An Anatomy of Curiosity (MadHat Press, 2023) and additionally, This Amazing Cage of Light: New and Selected Poems (Spuyten Duyvil); The Vulnerability of Order (Copper Canyon Press); and Tales of Murasaki and Other Poems (Sun & Moon Press), which won the National Poetry Series Award. Her work has appeared in The Best American Poetry, 2023, edited by Elaine Equi and Poetry Is Bread, edited by Tina Cane (Nirala Publications, 2025), as well as other anthologies.
Martine Bellen is the author of ten books, most recently, An Anatomy of Curiosity (MadHat Press, 2023) and additionally, This Amazing Cage of Light: New and Selected Poems (Spuyten Duyvil); The Vulnerability of Order (Copper Canyon Press); and Tales of Murasaki and Other Poems (Sun & Moon Press), which won the National Poetry Series Award. Her work has appeared in The Best American Poetry, 2023, edited by Elaine Equi and Poetry Is Bread, edited by Tina Cane (Nirala Publications, 2025), as well as other anthologies.